Ozferti

Welcome to the first chapter of the OZFERTI saga. Step into an unknown galaxy, where gravity is multi-dimensional and they don’t have Netflix ; where new gods are replacing the old idols and the ecosystems are being crushed by space-mining economy. Follow OZFERTI, the masked beatmaker, in his journey to the stars, in an album inspired by East-African music and partly produced and recorded in Addis Abeba, Ethiopia.
The 11 track album takes you through desertic landscapes and sci-fi atmospheres, with traditionnal rythm patterns and percussions being mixed with electronic synthesisers and live electric guitar.

The A side of the album kicks off with the long intro to Abyssinium Express, setting the atmosphere of the journey and the colorful sounds of HaddinQo’s masenqo. Following is the majestic bass of Hagir Fikir crowned with the powerful voice of Ethénèsh Wassié, like a solemn greeting to this new world. The groove on Space Gurage is undeniable and invites you to some celebration with the Sons of Dire Dawa and Ayou Nagesh on vocals. Chika Bet is a more mature tune, displaying Ozferti’s guitar skills and complex drum arrangements. Closing the side A is the almost religious experience of Selam,joining the Sons of Dire Dawa again. 

Side B starts with a slower and more meditative pace, announced by the dark atmosphere and organ of the Lost Stela interlude and the preacher voice of Miki Mac. The title track Solarius Gamma is minimalistic and dreamy, opening space for the clarity of Mékidès Nigatu’s singing. The chainsaw synth riff of Eshi Eshi is brutally groovy and takes the album back on some more upbeat, almost rave, territory. Following are two masenqo tunes with breathtaking solos by Endris Hadié on Ta Na Da ; and HaddinQo carrying the groove on Komet Melka while Ozferti’s synthesisers take a real space-opera take-off. The closing of the album takes us back to the desert with Purple Sand, a percussive and up-beat track for the road.